Album Review: Dream Shake's "Dream Shake"

Dream Shake/Dream Shake/Frenchkiss/2013

Each song title on Dream Shake's self-titled debut is named after a woman. What does that mean? Are they ex-girlfriends, conquests, high school crushes, or simply nine ladies that singer/songwriter James Nee promised he would write and record songs for?

The track "Buffy" hints that these names are loosely connected. The fast-paced guitar-heavy tune and the eight others are homages to fictional females from pop culture. You have the aforementioned vampire slayer and characters from various TV shows, such as "Friends", "Degrassi Junior High", and the NICK series "Cailtin's Way."

"Coraline", which I immediately think of the character from the Neil Gaiman novel and film adaptation, reminds me of mid-1990s Sonic Youth, a dreamy and mysterious track that sounds like it was created out of an impromptu jam session in the studio late one night. Clocking in at just over four minutes, it would be a delight to hear this track for a few minutes longer, much like a Sonic Youth song.

The guitar riffs that build up to each song's climax, or chorus, and Nee's soft yet confident vocals bring a dreamy, intentionally nostalgic aura over the course of 30 minutes--the length of a TV episode.

Nee, formerly of the pop/rock band We Are Trees, is a Virginia Beach native who claimed in an post on the band's website that no one will get the references, stating he is "too nerdy for real girls." Well, the nine women here should be flattered that a musician has written some well-executed, short but sweet love songs in their honor.

Grade: A-

Recommended tracks: "Buffy", "Rachel", "Coraline"

Album review: M.I.A.'s ''Matangi''

M.I.A.| Matangi | N.E.E.T./Interscope | 2013

It has been over three years since M.I.A. has released an album, and the back-story for Matangi is almost as enciting as the musician's work on this release. After delaying Matangi's release for being "too positive", she threatened to take the album from Interscope and release it herself. (Luckily, she has the backing of the  record giant, at least this time.) Though one could understandably be concerned for an artist who has openly courted controversy (i.e. flipping off viewers during the Super Bowl halftime show) to suddenly possess a sunny deposition.

Can you believe that "Bad Girls" was released almost two years ago?!

The singles released over the past eighteen months are here, but the deep cuts are also worth the wait. Her collaboration with The Weeknd in "Exodus"/"Sexdous" are some of the album's finest highlights, an instant R&B radio hit waiting to happen. Musically, the album is all over the place. "Bring The Noize" has those fast-paced verses that suddenly sound like they are going in reverse. There is a roll call of countries in "Matangi" over clattering percussions. There is chanting, a boxing bell, personal lyrics about her struggles, and more. Even though she doesn't have Top 40 radio in mind, the frantic yet familiar "Come Walk With Me" would be refreshing to hear on the FM dial in moderation.

M.I.A., who named this album after the goddess of music, Matangi, does not wish to concentrate her energies or concerns on what else is going on in the music industry. Noting that this is her "spiritual album", Matangi is a vastly compelling piece of pop music that only reinforces that she is at the top of her game, no matter how long she is away.

Grade: A-

Recommended tracks: "Exodus" (feat The Weeknd), "Come Walk With Me", "Bring The Noize", "Lights"

Album Review: La Luz's "It's Alive"

La Luz | It's Alive | Hardly Art | 2013

This all-female quartet from Seattle (whose name is Spanish for "The Light") have released their debut album, and it sounds almost nothing like Seattle, a city with a dreary climate that is still best known for (and trying to get past) its grunge heyday. The key word is almost.

On the surface, this is a light, surf-pop record, like Best Coast or the newest from Washed Out. But once you get past the upbeat riffs and the four-part harmonies, there is some sinister undertones and medleys, especially in "What Good Am I?", a slow and steady track that would fit well in a mixtape for a late night drive or in a 1950s jukebox for heartbroken lovers. It sounds like it came out of a film noir. 

This is immediately followed with "Sunstroke", a short and quick-paced instrumental with an organ player to accompany the haunted house aura. "Pink Slime" has a nostalgic yearning for the days of So Cal in the early 1960s, when surfers were kings of the waves and the Beach Boys were soundtrack of their lives.

The title track, which further emphasises the haunted rock that they hide underneath the surf pop, is the strongest track on the album. This song would fit well in a 1960s teen surfing flick that took a wrong turn and became a suspense or horror thriller, or a psychotic acid trip (like Head or Easy Rider). Maybe zombies pop out of the sand and start attacking the blondes on the beach.

UPDATE: The band have cancelled the rest of their tour after being involved in a severe car accident. A fund has been set up to help pay for bills, new equipment, van, etc. For more info on how to help or to find out more about the band, go here. 

Grade: B

Recommended tracks: "Sure As Spring", "What Good I Am?", "It's Alive"