Monday, May 7, 2012

An Interview with Anna Faris


The first thing that many people think of when they hear Anna Faris’ name is her work in often ridiculous and entertaining comedies such as “The Hot Chick”, “The House Bunny”, and of course, the “Scary Movie” series, which put her on the map. In between the rated R humor and the bizarre characters, she has done television (“Friends”), supporting roles in award-winning indies (“Lost in Translation” and “Brokeback Mountain”) and conventional romantic comedies (including last year’s “What’s Your Number?”) 

My all-time favorite role of hers is the overwhelmed stoner Jane in the underappreciated “Smiley Face”, which has to be one of the most impressive comic performances of the 2000s. A tale of a aimless woman who tries to replace the pot that her roommate had used for baking treats that goes from humorous to beyond bizarre, Faris was not afraid to go all out for this role. (Highlights include attending an audition while still really high and being stuck on a Ferris wheel.) This movie also includes John Krasinski, Adam Brody, John Cho, with pre-“Glee” Jamya Mays and Jane Lynch. Go rent this movie when you get the chance. 

 Faris, who appears in Sacha Baron Cohen’s “The Dictator”, talked with The DePaulia on the controversy surrounding her new movie, how she chooses her roles, and what it was like to grow armpit hair for this movie.

DP: Did you have any reservations about working on his movie, given Cohen’s controversial reputation in comedy?

Faris: I feel like I’ve been a part of so many offensive comedies that I’m a little numb to it.  I don’t think I ever really get offended, but every time I take a role, I start worrying about my mom and what she’s going to think because she’s pretty conservative.  She always wants me to play someone like Amelia Earhart. And I’m like, ‘oh, is this the kind of thing that I have to tell her to avoid or not?’
     And then, I guess it didn’t occur to me at the time, but Sasha, when we were like one day during shooting, he mentioned that he had like some fatwas against him, or something along those lines.  And I would say, ‘Wait, what?’  And he was like, ‘Yes, there’s all these like jihadists that are really upset with him for Borat and Bruno.’ And then it occurred to me, like, ‘Wait a minute, this could potentially be like a kind of a dangerous project to be a part of.’ But so far, we’re all still here.


The DePaulia: If you could show this movie to one person in the world and only that one person, who would it be and why?

Anna Faris: Oh, if I could show it to one person and why, I think I have to go with Keenan Ivory Wayans.  He is very dear to my heart.  He gave me my first break in “Scary Movie.”  And I know that he would really appreciate it– he loves humor that offends everybody equally.  So I would love to – I’d love for him to see this.  I’d love to be in the screening room as he watched it.

DP: This is Sasha Baron Cohen’s first movie with the use of a script. Were you guys still able to improvise on set or did you guys stick to the script all the way through?

Faris in a scene from "The Dictator",
in theatres May 16
Faris: No, it was very, very loose.  It was a little bit of a learning curve for me.  It was unlike pretty much any filming like process I had ever gone through before.  I really didn’t know where a scene was going to go.  We had a script and we would do the scripted version a couple of times.  And then, the writers and Sasha would collaborate.  And then, next thing you know, you would be headed in a completely different direction. So it forced you to really stay on your toes, which was hard, but also, an exciting challenge for an actor. 

DP: What is your favorite part of performing comedy?

Faris: It’s made me be able to laugh at myself a lot easier. I think I used to take myself very seriously. There’s also the reward of when you sneak into a theater, which I rarely do, because it just scares me so much.  But when I do, I hear other people laughing at the movie. It feels amazing. It’s amazing to give people joy and to be a part of a hugely challenging process as well.

DP: What do you look for when you are looking at roles?

Faris: I look for interesting characters. For “The Dictator”, I was really excited to work with Sasha. I had been such a fan of this for a long time, so it was a thrill to be involved in one of his movies. I feel really fortunate that I’ve been able to do a variety of different characters, and I hope that continues.

DP: I have an odd question. If you and your husband (Chris Pratt, or Andy on “Parks and Recreation”) start a family, would you ever consider being more selective in your roles for the sake of your (theoretical) children? Or would you continue to choose roles like Cindy Campbell (“Scary Movie”) or Jane (“Smiley Face”)?

Faris: I don’t think I would ever want to. I know it sounds awful, but I don’t think I’d ever want to choose my roles for the sake of my children.  I mean, I guess if there’s an inappropriate movie, maybe I don’t let them see it.
     I think that I had to have that conversation with my mom a little while back.  I told her, “I’m not going to make my movie choices because I’m worried about what you’ll think”, which I still am worried about what she thinks, but I just had to vocalize that.

DP: What was the strangest thing you had to do for a movie?

Faris: For “The Dictator,” I had to grow up my arm pit hair, which was a new experience for me. And I was very naïve about it. They asked me if I would do it, because they said they could put some hair – glue some hair on me.  And I was like, no, no, no, I’ll totally do it.

And I was sort of thinking that maybe (the hair) would grow kind of thin and wispy, and maybe even kind of cute. But that was not the case. It was dark and thick. It defined my whole summer. No tank tops, no swimsuits, I couldn’t hail a cab. At a party, if I’d had a drink or two, I would lift my shirt and show off my arm pit hair.  And it made people gag.  It was amazing.  #

The Dictator, starring Sasha Baron Cohen and Anna Faris, hits theatres May 16.

Thursday, May 3, 2012

THE AVENGERS Review


Nick Fury (Samuel L. Jackson) mentions at one point in “The Avengers” (now in theatres, finally) that the world sometimes needs something old-fashioned. Despite having the largest group of superheroes ever assembled on the big screen, top-of-the line GCI effects, cinematography, editing, directing and writing by master storyteller Joss Whedon, and a remarkable cast of actors behind the larger-than-life characters, this is an old-fashioned blockbuster.

A review for the one of the biggest movies in recent memory is probably not necessary for those who have already seen the movie (or plan to see it). So I will make my case for those who are not into superhero movies. You don’t have be a devoted follower of all these character or even a Marvel fan to enjoy this blockbuster. I have never picked up a copy of Captain America or Iron Man in my life. But I have enjoyed the film adaptations and what Chris Evans and Robert Downey Jr. have brought to their respective roles.

The spirit of “The Avengers” is old-fashioned. You have bad guys (led by Loki) who want to take over Earth. You have the good guys (led by Nick Fury) who need to get their stuff together before they can fight the bad guys. Chaos ensues. Egos are bruised. Someone gets very, very angry. “The Avengers” is a great time at the movies. It’s not going to make you question your faith in your favorite superhero, like what Christopher Nolan is doing with Batman. “The Dark Knight” is one of the most remarkable movies of the last decade and “The Dark Knight Rises” promises to be even more remarkable. But c’mon, isn’t a blockbuster supposed to offer an escape from real life?

“The Avengers” is more than just clashes and conquests between Marvel’s best. There are moments which reflect how these guys struggle to adapt to their new environment. Tony Stark (Iron Man, Robert Downey Jr.) and Steve Rogers (Captain America, Chris Evans) go head-to-head. “Suit up, let’s go a few rounds,” says Captain America, determined to knock Stark off his skyscraper-length pedestal.  Dr. David Banner (Mark Ruffalo) is constantly fighting back his urge to transform into “The Hulk”, going as far as being secluded in the lab where he can work to find the Tesseract, a powerful energy source that Loki has released. Natasha a.k.a. the Black Widow (Scarlett Johansson) has a debt to pay to Clint Barton (Jeremy Renner), who is under Loki’s mind control. Individually, they are extraordinarily talented experts in their crafts. Together, they are going to tear each other apart unless Nick Fury and Agent Coulson (Clark Gregg, reprising his role from “Thor”) can instill some hard knocks and get them to set aside their egos to save their home planet. A job position for a mediator for a supergroup has never looked so exciting—and dangerous.





My personal favorite fighting scene (out of all of them, which includes a very-lengthy fight scene in the finale) was between Iron Man, Captain America and Thor (Chris Hemsworth), who crashes the party and tries to take Loki (Tom Hiddleston, who is a tad bit more over-the-top here than in “Thor”) back to Asgard. Thor reluctantly joins “The Avengers”, since many believe he can get through Loki and find the Tesseract. The demigod also wants to get Dr. Selvig (Stellan Skarsgard, also reprising his role from “Thor”) off the same mind control that Clint is stuck in.

Whedon is the right man for this movie. He provided each character their own arc while intertwining them into the big picture. And the man does have a way with dialogue. In one scene, Thor attempts to not go against Loki. “No matter what has happened, Loki is still my brother,” he said. “He’s killed eighty people in two days,” said Natasha. “He was adopted,” replied Thor. Captain America, who has been frozen since the second World War, gets giddy when he finally understands a reference that not even the demigod Thor knows. “I got that!” he declares. “I got it.” It’s moments like those that make “The Avengers” the ultimate summer movie to enjoy. #